is this video of Robbie Dingo creating a guitar for Suzanne Vega for her upcoming performance in Second Life. Wow.
Good news! There’s another Ninmah. I few days ago Craig put me on to Progress Quest, which is exactly like World of Warcraft, except not quite. For one thing, the interface is much simpler, in the same way that the original Zork is much simpler than Zelda the Wind Waker.
The image here shows the whole interface. Also, you don’t actually have to pay it any attention whatsoever — it plays itself. All the other stuff is the same, though: you get some gear; you head out to kill some stuff; you pick up the random bits that drop from the stuff you kill; you head back to town to learn more spells, sell your random stuff, and get better gear; and you head out again to kill more stuff. There are quests that get checked off and levels to progress through. It’s free to download and install, and the monthly subscription is priced quite reasonably at $0.00.
Oddly enough, I’m still playing World of Warcraft. The difference is that now Progress Quest is running in the background!
David and I have been exploring art lately — I was casting about for weekend classes to sign him up for, and thought that art lessons would be good, and then realized (duh) I’m a certified teacher in the subject and why shell out bucks so someone else can have the fun? This is why I went into teaching in the first place, lo these many years ago: to share the “aha!” moments with a child I love.
We started with Georgia O’Keeffe and Matisse. We read books about them first (I recommend the Getting to Know series by Mike Venezia), and then we talked about some of their works using my extensive library of art books. That was the point at which I realized exactly where all my money went while I was in college. It really is a nice collection. We went to the grocery store and bought large flowers that interested us — we each picked out one bunch — and then brought them home and drew them close up, like Georgia O’Keeffe. Tomorrow we will be drawing with scissors like Matisse.
This morning David, Craig and I made the trip to the city and visited the San Francisco Museum of Modern Art. They have Femme au Chapeau, which is one of the images from the Venezia book, and I wanted David to see it. It could not have been a more perfect moment had it been scripted. We climbed the stairs and turned to the left on the second floor — you can almost see it right from there, but there were people in the way. We moved over toward it, and when a gap opened he saw it and pointed and squeezed my hand and gasped, “That was painted by Henri Matisse!” Why, yes, yes it was. Imagine finding that here.
We talked about how it looked, and how it was bigger than he thought it would be. I had told him the colors would look different than they did in the book. He wasn’t convinced, but that’s okay. Then we wandered through the galleries, looking at whatever interested him. Fountain stopped him for a moment, but he was perfectly ready to accept it as art. “It’s sculpture, Mom.” Yup.
We spent a few minutes in the Koret Visitor Education Center, watching part of a film that talked about Matisse and Picasso and their models.
I have a personal tradition when I visit a museum of choosing a postcard from the gift shop to remind me of one particular work that I enjoyed on that trip. David made his first postcard choice today. He picked Les Valeurs personnelles by Magritte, which is the painting he spent the most time in front of during our visit. Back in the car, he showed me Femme au Chapeau in his Matisse book. He admitted that his favorite part of the visit was the translucent walkway on the fifth floor. Fine by me: he had a favorite part.
A ticket, a postcard, a map, and a blog post — David at SFMOMA.